This was not a regular night at Gricel, so I am not sure how much Gricel has changed from before. In the past, I danced at Gricel several times each visit to Buenos Aires, but I never stay in that neighborhood and it’s not my favorite milonga. The lighting and the long, narrow room, can make cabeceo tricky. Also, people sit in long tables, so many couples sit together, or groups of friends. If you are a new dancer, it could be a light night of dancing.
My happy moment: when someone who looked vaguely familiar asked me to dance. We did one dance and he said, “Wow! You have onda!” and I told him I was sure we had danced before. He told me his name—Juan—and I suddenly knew: La Nacional in 2010, 2011, 2012! He was a perfume salesman, and he had a huge fan that he flirted and used to cabeceo. I told him about a discussion we had on the dance floor about how life is a road with huge boulders on it, and he said, “You remember that??” and we danced two more tandas. It was a joy to reconnect after all these years. The sad moment: he told me he is almost 80, and I hope he’s still there when I go back to dance again.
The night we attended, there was a live band, Romantica Milonguera, and a competition. Oliver Kolker organized the Peleando Variacion competition, which features very short choreographies for the last burst of music/energy at the end of a tango. You don’t dance the entire tango: just those few seconds of a dance. It’s like watching fireworks. There were two or three couples who were really connected, giving a great dance as well as the more typical gymnastic, high-speed (tango?) routine. In particular, there was a male-male couple who were really THERE. I tried to find names and who won on Oliver’s page, but it’s not there yet.
The band was great, but we left after the first set because it was VERY late, and we were all very tired. Check out their music on Spotify: it’s very dance-worthy!
