YES Zoom classes Thanksgiving week

We can’t visit with family or friends, but I am still going to make a lot of my favorites, just in smaller quantities. And you? I predict we are all going to eat a bit too much, sad that we can’t see our loved ones in person and be safe at the same time. Sign up for class!

I am looking forward to working some of that turkey off, both before and after the probably too-big dinner I plan to make for Thursday. Here’s what I have planned for keeping us dancing through this week:

6:30 PM Tuesday (24Nov20) 1 foot, 2 foot, red foot, blue foot (thank you Dr. Seuss!)

Why the strange title? I am still sporting a blue-wrapped ankle injury, but it’s getting stronger. Plus, it helps you tell which foot to use on Zoom! We will be focusing on balance on one foot vs. balance on two feet, moves that turn on one or two feet, and having an in-body musical experience.

Noon on Friday (27Nov20) Thankfulness: Celebrating our abilities, creativity and being alive!

Let’s spend a class enjoying what IS working in our bodies! Adornos, boleos, getting creative with our musicality and moves—and burning some calories!

Stay tuned for a Thanksgiving week blog post (maybe even a video…) with more about building a robust body map to improve your tango and your dance enjoyment!

60 minutes to a better pivot

During COVID, many of us are getting rusty in our tango. To combat this, let me share how I practice my pivots, ochos and turns. As many of you know, I tore an ankle ligament at the beginning of the summer. I am still working to get full flexibility and strength back in that joint (ah, middle age!), so I can’t just sit around and hope it’s going to improve without work.

Below is an explanation of how I practice to improve, but if you are like me, practicing is hard to do solo. I invite you to come to class this week and walk out the other end with better pivots for all your tango moves. We will be working on a combination of leader and follower drills for spinning, pivoting, swiveling and turning this week.

Classes this week (Pacific Time)

  • 6:30 PM Tuesday: Turning over a new leaf: turns in milonga, vals and tango

  • Friday @ noon: Twist and shout: swivels, pivots and all that stuff

Drills for turn practice

Slow practice wires moves into your brain

Although we want to be able to dance any speed, dancing slow motion (BREATHE!) will get all the little details wired in better. I practice as slowly as possible, looking for parts of my move that need attention. Make sure that you are not starting slowly and speeding up!

Right now, I am doing this focusing on how I use my feet and ankles, to reestablish my technique, but I vary this from week to week. You can concentrate on:

  • foot articulation

  • unlocking your knees (or stretching them longer if you are “bend zee knees” kinda dancer)

  • opening your hips joints and making them stretchier to allow your hips to adjust from step to step

  • engaging your pelvic floor/deep core so that the top of your tango looks easy—even ‘though it’s not!

  • shoulder blades down, hugging into the body to support balance and torque better

  • long, stretchy axis from floor to ceiling!

  • breathing

Little by little works best

Rome was not built in a day, and neither is your tango. Each time you revisit an idea, you polish it and tweak it a bit, and improve teeny bit by teeny bit. Do FIVE minutes a day. Every day. Two tango songs. Dance while your brush your teeth! Balance while you do the dishes. Do adornos in line at the store—you can fit five minutes in, no matter what.

I also work part of my turn at a time. Front cross, pivot, side step; or side step, pivot, back step; not the whole thing. That way, you find little details that need attention instead of completing laps. It really works!

A little speed practice for survival

I challenge my strength, balance and technique by doing fast versions of what I’ve done slowly. Don’t expect perfection at high speeds: aim for survival first, and gradually build your ability. Put on a song that makes you WANT to go fast (Pugliese? a milonga? alternative? disco?) and go for it!

After all, we will need to go faster than we want sometimes on the dance floor when we get back to dancing with other humans (soon, soon . . . spring? summer? Get on that vaccine and fast testing, world!). People will ask: Who was that masked (wo)man?

Musicality and turns

Having nice turns that work with the music is an acquired skill. You have the ability to kill or to make wondrous any dance with your turn skills, especially a tango vals. What better time to learn the music better, than when we can’t go out to dance?!

Put that music on, and DANCE! And come to class and dance with us!

Entre una pisada y la otra: how you get from one step to the next

That is the focus for BOTH Zoom classes this week! Transitions are the hard part of the dance: making it look flowing and easy while doing all the work underneath (technique) AND musicality at the same time? Elizabeth, what are you DOING to us?? Well, I thought this week would be a good time to challenge us and to take our minds off all the other craziness happening around us.

Tuesday @ 6:30 PM

We will work on lateral corridas, turns, and students’ choice while focusing on VALS for musicality (with some tango and milonga as a contrast).

Friday @ noon

We will work on Pepito’s crossed milonga patterns, lateral traspie combos and then switch gears and go for some tango adornos and/or students’ choice while focusing musically on milonga and tango (of course we can do a vals for Meg :-))

Join us!

Sign up and pay here, or if you already have a punchcard, add yourself to the Tuesday or Friday list by contacting me here. I also accept Zelle and PayPal; just ask! Hope to see you this week!

Classes this week: Feet, deep core, speed and musicality

Join us for class this week!

Tuesday @ 6:30 PM: Feet, speed & 40-40-20

We are continuing to work on how to keep your axis long, stretchy and elegant—and today, how to do it while syncopating and changing speed. Plus lots of work on foot articulation for better balance and elegance! Join us!

Friday @ noon: Thighs, core & musicality

Your deep core and pelvic floor hold your dance together. Come work on improving your musicality with stronger thighs and core—and then exploring how musicality in turn can support your technique for tango, milonga and vals. Join us!

If you already have a punchcard, just contact me to sign up, or book now to buy a class or a 10-class punchcard, and the system will sign you up.

Come join group Zoom class!

Maybe it’s time!

We have been dancing together on Zoom for seven months now. I am very pleased to see how much everyone has progressed in their technique. In the normal scheme of things, it is difficult to slow down and work on the deep technique needed to improve in tango. However, without the stress of learning a lot of new moves and trying to show off at milongas, we have delved deeper into creating better balance, axis, alignment, energy—all the things that make EVERY move in tango work better.

If you have not tried Zoom yet, maybe it’s time!

Group classes this week:

Tuesday @ 6:30 PM: 40-40-20 and disassociation: tips for maintaining your axis and energy

We have been working on how to be tall and stretchy while maintaining a grounded dance. This week, we will be looking at disassociation (and why I don’t usually use that term), and how to efficiently create spirals or helixes that help us pivot, spin and rotate more easily and quickly.

Friday @ noon: Spiral up and Spiral down: Turns, boleos and musicality

As promised, this coming week will continue our work on musicality. We will focus on how to use spirals in the body to create better pivots for turns and boleos; and how to use that extra twist and/or extra time, to play with the music.

Contact me to sign up if you can't pay; or sign up/pay online!

Musicality: Inspired--again--by John Cage

John Cage and dancing

Every once in a while, something about John Cage comes up on the news or in conversation, and I remember how mind-blowing his ideas were to me as a dancer and choreographer when I was just starting to dance.

While I was studying for my M.A. in Dance, before I started dancing tango, I took several classes about dance, musicality and choreography that were required for my degree. I also took a special seminar on John Cage and Merce Cunningham. John Cage’s avant garde music in the 1940s and 1950s involved pieces for prepared piano (putting things on the piano strings so different sounds were played); pieces where composition decisions were made by chance; and one piece of music where no sound is played by the instrument at all. We spent a lot of time making dances based on chance, dances in silence, etc., but I had forgotten about it until this morning.

TED Talks and tango

Today, I tuned into TED Talks while I did some wool prep and spinning, and there was one about sound. As I have been teaching musicality as a main focus of my online Zoom group classes, I spend a lot of time thinking about music, sound and dance, so I tuned in. The speaker said “John Cage” and I was hooked. It’s not long, so take a moment and listen to it.


Here is your tango homework

OK, now go outside (or if that’s too public/weird for you, inside), and play the piece again, just dancing along to what you hear. I just did this, and it’s amazing.

What did you hear? What did you dance?

If you are in my class today, you are now fore-warned what will will be adding to the planned class :-)


How to practice sacadas solo

COVID-19 has limited some of us to dancing tango solo, and a lot of my students bemoan not getting to try moves with a partner. HOWEVER, I have almost always practiced solo, so I have a lot of ways to practice on my own that I am sharing in my classes. This quarantine gives us an opportunity to step back and improve our own technique, without the stress of repeatedly trying a move that doesn’t work yet, on some unsuspecting soul.

Tools

Why no great YouTube video on this, Elizabeth?

crutches2.jpg

I promise that I will put all of this up on YouTube soon. I have new video editing software on my new computer, so I again have video-making capabilities. However, for those of you who have seen me on video recently, you know why I am putting this off. For the rest of you, I can suggest that the best tool for practicing sacadas is: crutches!

Frankly, I had never thought that having a torn ligament would be helpful for teaching tango. It does make many moves difficult, as I cannot currently pivot on my left foot. However, the crutches are great for showing how my leg is moved by the other person’s leg. And you should see my self-led volcadas!

Now, let’s look at more likely suspects.

The traditional practice tool of leaders without a follower!

The traditional practice tool of leaders without a follower!

Two sticks

For those of you trying to figure out how the four legs of the partners interact, I suggest the traditional two sticks or two brooms or two dowels. You can get dowels at the hardware store: I prefer the 5/8” thickness by at least 48” long dowels. If you are taller, longer dowels will help. If you have hiking poles or brooms around, both of those will also work; after all this is the age of COVID: use what you have around the house!

As you think through each move of your pattern, put the sticks where the follower’s feet/legs would be, and then figure out where YOU have to step in order for the next move to work.

Alternately, if you are new to leading these moves, using the stick will help you see where the follower’s next step will go (Are you blocking a “leg” that will need to change direction? Are you starting a leg in a big swinging motion where you will have to pivot? etc.).

When I did my thesis work on leading and following in Buenos Aires in 1999-2001, one of my interviewees who also took Tete’s vals class with me, told me, “I get up in the morning, make my coffee, and then I grab my two sticks and I practice.”

Your hands

The best tool for learning the kinesthetics of the leg receiving the sacada, is your own hand.

The sacada is best done as high on the moving leg as possible, so if you relax your arm, your own hand will be at about the perfect position to learn about the weight of your leg and the movement in the hip joint to make a good sacada. In the drills I use, as soon as my leg becomes the free leg, ready to do a sacada, I can push my leg with my hand, simulating the interplay of the partners, and feel where my leg will go with different angles/amounts of force/timings.

When I have you try this in class, many of you are loathe to do this in class. Maybe you are uncomfortable touching your body in front of other people? No problem! No one else can see you practicing at your house! NOW try it!

sacada hands.jpg

Paper and colored pencils or a Painting app on your phone

Here are a linear sacada from the follower’s side step; and a linear sacada from the follower’s back step. Purple (and the heart) is the follower, and red (and the star) are the leader, showing and where each person moves, and where it’s important t…

Here are a linear sacada from the follower’s side step; and a linear sacada from the follower’s back step. Purple (and the heart) is the follower, and red (and the star) are the leader, showing and where each person moves, and where it’s important to stay, or to regain balance in place.

These days, I spend a lot of time on Zoom, sharing my screen and drawing all sorts of arrow-based pictures of where each person goes in a move. For the engineering inclined of you, it may be very helpful to plot out where each person goes in different colors. You can then envision both people’s movements, and better understand the geometry of what you will need to do to keep a move going down the line of dance instead of spiraling into the people behind you :-)

I hope that gets you started on your sacada practice, and more will be coming as soon as I heal up!





What do you miss about tango? The other answers

Sometimes being a former English teacher gets in the way of being a tango teacher. As my dear husband suggested, “People don’t write paragraphs anymore! Don’t expect to get essays from folks!” I am happy that some of you wrote a few sentences. I have put all of them on the blog, and will announce the winner of the free private lesson on Facebook and on my email feed. Every day, I hear, “When will we be able to dance again?” from my students. The answer: TODAY with your body, and we don’t know when connected physically with someone else. But continue to keep your dance polished—or even improve it—so that you are ready when it’s safe again.

It’s hard to put into words what I miss about tango. It supports all aspects of my wellness- my physical health, mental health, social connections and relationships, my creative drive, and my sense of purpose. Looking forward to the day when I can be back in class with the Portland community!
— Rosie Yerke
It makes me too sad 😢[to comment].
— Heike Sommer
The music, the embrace, the ronde.
— Margaret Lentell
I miss snuggling with my friends and dancepals. Snuggling feels good. It helps me feel less lonely. And you learn so much about someone by snuggling with them that it’s a delightful way to get to know someone.
— Peter Silverman

What do you miss about tango? Answer #1

From Tanika

I miss so many things about tango. 

People I got to know in the last 12 years. Their smiles. Memories we have built from house parties, camping trips, hiking, and dining together. I miss beautiful people who clean up, put their best clothes and take an effort to get to the tango place to share the joy of music and dance. I miss music tremendously. I miss the sensation in the middle of a good milonga night when you are completely dissolved in music. 

I miss tango life.
— Tanika Barsegian

Safety first!

Thank all of you for sending me your thoughts about starting to dance together. Overall, most of you are being cautious. With a few exceptions, most people do not want to dance in person: especially not changing partners. As Multnomah County has not opened at all yet and infections are on the rise, I think this is a good approach for right now.

Zoom lessons are still the safest

My group lessons will be on Zoom for at least a few more months, and probably through next flu season, unless we get a vaccine up and running or the virus dies out in the area. I want to have everyone safe, and this is my FIRST consideration.

Private lessons will also be available on Zoom from now on. For some of you, we have found half hour lessons twice a week work best; and that works better without a commute. For others of you, you are more health compromised than I am, and need to be 100% safe. And then there are those of you who live in other countries and have been doing lessons—what a nice silver lining to this situation, to meet you and teach you!

I encourage all of you who are willing to continue learning via Zoom, to do this. I should be getting a new camera tomorrow to further enhance distance learning. I am continually working on improving online lessons. I know it’s not the same as in person, but we all want to be alive to dance together on the other side of this!

Be safe and take care of yourself and others: wear a mask!

Traveling ice cream (uh, tango) truck?

I have been experimentally visiting some students and teaching them from outside their French doors, while they dance in their house. I bring my mask and the music, and don’t come inside.

This has worked well, but I have found I cannot really sustain a visiting teacher status without charging for travel because it affects how many lessons I can teach per day. If you want me to deliver tango to your house, let’s talk. We will need to come up with some sort of travel charge.

Outside couples’ lessons are open

Studies have found that COVID-19 transmission is much lower outside. While the weather holds, this will be the new option available.

Private couples’ lessons OUTSIDE AT MY HOUSE are now open! As of this week, I am the proud owner of 1. an infrared, touchless thermometer; and 2. vinyl flooring on my back porch.

The porch is covered and it is big enough to social distance and/or have me stand inside to teach. Unless it is a downpour, the floor stays dry. There is room to change your shoes, etc., and you can come down the driveway and avoid entering the house. Unfortunately, heels are a no-go right now. I hope to strengthen the flooring later to make it heel-friendly, but for now, please wear socks or practice shoes only.

There will be a fan for more movement of air. There will be hand sanitizer available and I ask you to get used to wearing masks (please bring your own) during classes, especially if you want me out of the porch with you. I will take temperatures and run through safety protocol for each class. I know it’s a hassle, but a month is the hospital is more hassle than that.

Planning for private solo lessons

I am a bit nervous about dancing with people, as I have a history of several bouts of pneumonia. I will be taking it very slowly in re-opening private solo lessons. The first people will be those who live alone, have not been socializing, and preferably have had a COVID-19 test. I hope by the end of the summer to have all of you back dancing, AS LONG AS numbers of cases in Multnomah County start to go down. Stay tuned.

Private one-on-one lessons will require:

  • hand washing/sanitizer;

  • temperature check;

  • masks;

  • dancing outside

  • me feeling comfortable with/knowing your level of socializing.

Thank you again for your input. I am taking into account all information. I have a few friends who work in infectious disease research, pharmaceutics research, etc., and I have been bugging them for information to help me stay au courant with COVID-19 news. Again, the county has not budged, and numbers are going up, so please bear with my slower-than-you-want opening, those of you who want to dance NOW :-)

When do we start dancing together?

My first email in my inbox this morning was the owner of the dance studio I rent for classes. Her county is opening up: when do we plan to come back to use her space? What are our plans/requirement/rules/etc.? Wow! We are still in lockdown where I live and I had not anticipated even THINKING about this for a few more months.

I have adjusted to online classes and am enjoying their safety despite missing teaching in person and being able to give hands-on help to my students. Some of my students are actually improving faster online than in person: it fits their way of learning better. For me, it takes the stress off of wondering if I am going to get sick, or if I am going to infect someone else. Because I have a compromised immune system from a bunch of rounds of pneumonia, I am careful. I also have many students in the at-risk age categories. Take one super-spreader in the tango community and look out!

Designated partners

Several of my students have reached out and asked me to find them a designated tango partner. They want to find another person who is also being careful, and only dance with them. When you add level, speed of learning, attitude towards practicing and personality to that mix, I feel like a matchmaker! Oy, the responsibility :-)

When you dance in a mask, wash your hands, and then only dance with one person, you are probably not creating a high risk. I can see that as a way to move from dancing with sticks, chairs, barstools, walls and the other accoutrements of Zoom tango.

Frankly, it’s a good idea for those dancers who don’t have a built-in partner at home. And like arranged marriages, there will be rough spots that are not anticipated. Any ideas from all of you as to how to implement that are very welcome!

Outside classes

I am feeling more hopeful of small groups meeting to dance outside than inside. It’s easier to keep your space in a larger, outdoor area. There are fewer surfaces to touch in common. There is fresh air circulating.

My neighbors, who also dance tango, met us outside in the parking lot across the street. We both staked out a few parking spaces, put the music speaker in between, and practiced canyengue for a half hour. We still wore masks, stayed at least ten feet away from each other, didn’t switch partners, etc. It still felt very daring to hang out with other people! And there is the question of pivoting on asphalt. . .

Inside classes would have to have that amount of space per couple, have good ventilation, be easy to access without touching a lot of surfaces, and would have to NOT change partners. That’s a lot of changes from classes before COVID-19. There is also the question of shared space: do I trust the other users of a room to be careful? I am going to spend part of my day pondering when I can feel comfortable doing that, because I am supposed to come up with an answer by Monday. Eek.

I want to hear from you

I want to start to formulate a plan for when we meet again to dance. I would like YOUR thoughts on what would make you feel safer: masks? hand sanitizer? designated partners? etc. What are your most pressing worries about dancing together? How would YOU structure a class to make it as safe as possible? When do you think that should happen? What health factors need to be in place (vaccine? testing? % contact tracing?)? I need to hear from you so that I can relay your thoughts to the studio owner about in-person classes; not just my opinions.

Thank you in advance!

Ways to keep in shape during lockdown

For a lot of us, whether we are at-risk or in an area with a lockdown, many of our regular opportunities to stay in shape—like our tango dancing—are not happening. Here are a few things I have found that are helping me stay in shape, at home. Most of these are free, but, like me, they probably are struggling to pay the bills and would welcome donations!

Walk

Walking is free, except for the cost of a face mask. You don’t need any props. However, in some neighborhoods, it’s scary to go out because people are not being careful social distancing. I have found that if I go out first thing in the morning, there are fewer people. Because the lockdown is still in place, there is less pollution. The birds are singing and you can hear them better without all that noise. Plus, soaking up some of that Vitamin D is good for you!

If you feel tango deprived, you can practice your tango walk and really freak people out by walking backwards :-)

Ballet

Yes, I have not done ballet since grad school. Yes, I am taking ballet classes from time to time online. Many of you know that I didn’t start dancing until college, but my sister danced from an early age, and went to college for dance (we switched along the way and now she is the health care professional and I’m the dance teacher….). One of her buddies from her dance training, Leigh Purtill, teaches a good class live on YouTube several times a week, alternating beginner and intermediate technique. The classes are up for about 24 hours after the live stream. As a dance teacher, I can tell you she is good!

Yoga

My go-to yoga channel is Do Yoga With Me (thanks Nilande and Graham for introducing me to this!). They have free videos, as well as a subscription level that accesses more classes. I do one every Sunday morning, and try to do more throughout the week.

My neighbor, Suniti Dernovsek, is a talented yoga instructor and teacher trainer. She has a 30-day free code on her website right now: check it out!

Pilates

I study with Heidi Weiss on a regular basis. She is offering online classes!

Barre 3

As most of you know, I am a dedicated Barre 3 fan. Barre 3 is based in Portland, although it is spreading around the world. You can check out their classes, and they have a 15-day free trial for their online classes. Try it out! They have very reasonable rates for online access to their content.

Tango

My online classes are going well and I would love to see YOU there! You need to download Zoom (free) and then sign up for classes (free if you are unemployed due to COVID-19, please pay if you can afford it!). The Tuesday class is usually full or almost full. The Friday noon class is smaller at this point, so there should be room there if you are free then. If you can only make Tuesdays, contact me and we’ll see what we can do to get you in!

So no excuses! Stay healthy, stay in shape so that we are all ready to get out there and dance together eventually!

Some Golden Age tango dancers to inspire you!

Some videos and thoughts to keep you happy, thinking of the time when we can dance together in the same room! When I wonder what the use is to practice when I can’t go out dancing, I watch videos like this to get inspired again!

Those of you who prefer what my neighbor Margaret calls “Euro Tango” will be disappointed—sorry, no feet over the head! Those of you who like Argentine Tango—the feeling, the music, the connection, will enjoy :-)

Nito y Elba

Nito and Elba were some of the first Argentines I studied under. They taught class at Gricel, and I would go there with my boyfriend and take class together once a week. Nito was born in 1935, started dancing at fifteen, and met Elba dancing. They are over 80, and still dance with the elegance that attracted me to their dancing back in the 1990s.

They aren’t flashy dancers, but they are elegant. My favorite saying from their classes: “If you can’t do it in a 1960s Chanel pencil skirt, then you shouldn’t do that move!” The point is not to show off, but to dance!

Carmencita Calderon

A lot of you have heard me tell of Carmencita Calderon, who used to dance with El Cachafaz. Here’s a video that I can’t find the date for—but you can tell she’s no spring chicken. BUT, watch her spice that dance up!!!! How many of us can keep up with her? That’s my goal: have that much energy in a few decades.

Enjoy your day!

Staying positive and open to new ideas

I find it hard to stay positive and upbeat right now. It would be easy to hide and just knit in some corner, watching podcasts (the grownup version of what my son is doing with Minecraft). I miss seeing all of you in person, although Zoom is really helping; seeing your smiling faces via the internet brightens my day!

I really look forward to teaching tango, even more than I did before. Focusing 100% on someone else, making sure that THEY feel better, that tango is still in their life, and that they can know that their tango will be improved when we get on the collective dance floor—that takes me out of my own worry and makes me feel useful. I am planning on doing short video “practice” moments that we can share, based on my classes. Again, I hope to be more useful to other people.

I would have never thought that teaching dance online would be in my cards. I didn’t understand how well it would work, and I dragged my heels despite comments on my Youtube channel (“I wish you lived here in Cairo!” etc.) that suggested I could connect with a bigger tango community than I could face-to-face. Now that I have been forced to look at this new idea, I see how good it is for our dance!

I think that our dance community will have permanently changed by the time we are allowed and/or safe to dance collectively. We need to be creative and find ways to continue to build our dance, tango and otherwise, in the upcoming months and maybe years. Perhaps it will be simply that we have thought more about our dance on a spiritual level, or practiced every day (ha!), or met people online to visit in other tango groups.

Tango has survived the 1918 flu epidemic, several world wars, the military junta, poverty, economic uncertainty on national level . . . and it will survive COVID-19. I feel sure of that.

Try to stay positive: we WILL be able to dance together again, at some point. I am going to make masks that match my tango dresses, I think. What about you? How are you keeping up your tango? How are you keeping up your spirits? Please share!

Online scheduling is up! And...

Trying out a new scheduling app

With COVID-19, I am trying to make lemonade out of the lemons that have been handed to me. Not much work? Guess it’s time to actually LEARN the scheduling and email parts of my website! THERE WILL BE MISTAKES, so please be nice when you contact me to tell me:

  1. What is not working—please include details!

  2. What is working for you—please feel free to add suggestions!

  3. What you want to see that is not on my website yet.

If you are a current student, and you need to pay me for upcoming lessons, please try out the website and see if it works for you. I am happy to take cards over the phone and/or get checks in the mail, as always. I can also send you an invoice that you can pay; but I would like to have as many people as possible try out the website scheduler to see how that works. If you have a recurring lesson with me, I bet it will refuse that time….eek. More thought is needed!

Group online class is happening!

And…you can sign up online! In an effort to both feed my family, and to make sure you can feed yours, I am instituting a pay-what-you-can approach. When you schedule for class, it is free. If you want to pay, there is an “Add-on” to click. If you want to pay for someone who you know can’t pay, there is also a place to click for that. Again, if you cannot afford to pay right now, THAT IS OK! We are all going to be in a rough spot for some time to come.

For now, group class will be at 6:30 on Tuesdays. I may add another class to the mix, but that seemed to be a good time when I tried it out this week. There is currently a limit of ten people for class, until I figure out more about how Zoom works! Another learning curve.

AFGOs

I learned about AFGOs when I attended a session for adult children of alcoholics. It means “Another F***ing Growth Opportunity. That is certainly where we all are right now. Be kind to each other, and use the opportunities to learn that are offered to you!

Going online

With coronavirus here, we need to find a new way to continue our dancing and learning. In the past five days, I have bought equipment, learned new software and begun to teach online. There is a learning curve, for sure, but I am relieved to see how much can be done remotely.

For those of you who come to group classes every week and have a punchcard to use up, I have an offer for you: 15-minute online private lessons = 1 group class on your punchcard, until you use it up! Think of it as a way to jumpstart your practice. We all know it’s hard to get going on individual workouts: I can help! Schedule a time, install Zoom on your computer, and we are ready!

For my private lesson students, you can continue to do your weekly lesson (or whatever your regular schedule is with me), but online. You may take your lessons in 15-, 30- or 60- minute chunks. Buying lessons by the hour or by the 5-hour chunk is much more affordable than a one-shot deal, as usual. You may buy lessons and gift them to your friends! I am here for you.

New students: Try me out! I have several students who have already started online, and I would be happy to connect you so they can tell you how it went, without me listening in :-)

Although I am still working out kinks in teaching online, I have taught dance since 1986, and I can see a lot and correct a lot of technique via video. The only part I can’t do, is dance with you (although someone led a front ocho today while working on musicality, and it was so clear that I automatically DID a front ocho while watching him!).

We are all in this strange new world together. Let me know what you want/need online, and I will try to provide it.

Try out different styles to find your own!

Exploring different styles helps you find YOUR style

One of the reasons that I am excited that Jose Garofalo arrives in Portland TODAY is that we will be working with historical and modern forms of tango this week. I feel that I improve my dance the most when I try new things.

As a social dancer, I like to have the ability to dance with all styles of tango. As a dance performer, I like trying out different versions of moves to see what I like best. As a dance historian, I love to learn vocabulary that dates back to famous teachers and eras of tango.

Jose and I have cooked up a series of classes that will give you a chance to experiment on each day of workshops.

Salon and Del Centro styles of tango

Come explore the world of turns Thursday 2/27 @ Om Studio, 14 NE 10th Ave. We will be doing a class on Salon style turns with sacadas at 7 PM. Then, we will do a contrasting style, Del Centro, looking at turns with enrosques and sacadas around 8:30 PM.

Most people in North America have learned from teachers of one of these traditional styles. A lot of you call the Del Centro style “milonguero” which means someone who dances in the milongas. “Del Centro” means the style that was prevalent in the center of town/downtown, and is a more accurate term :-) Salon style was danced outside of downtown.

Come expand your dance!

Milonga candombe vs. lisa and traspie

Saturday, 2/29 @ Shabu Studio, 6055 NE Glisan, at noon, we will explore milonga candombe! I am SUPER excited about this, as I love this and first studied with with Jose in Buenos Aires in 1999! Woohoo!

The next class, at 1:30 PM, will look at milonga lisa and milonga traspie. Don’t be afraid of these milonga styles: they are ALL fun, and Jose is fun, so YOU will have fun! It’s a chance to get more groovy and comfortable with your milonga. In my book, more milonga = better!

Vals on Sunday, then back to tango

3/1 @ Shabu Studio, 6055 NE Glisan, at noon, we will look at the Old Masters and vals. There is so much good “swing” in vals—come get your vals to really feel lovely and get in touch with the Old Masters. There are decades and decades of vals expertise for us to mine!

At 1:30 PM, we will have a class to look at creating your own dance. No, you don’t have to have come to all the classes to put together your own dance. If you have taken all the classes, you will have a lot more to play with, but this is for everyone. Come spend a chunk of time looking at your personal dance and what you want to incorporate into it, and why!

Come enjoy Jose at Las Naifas!

Las Naifas Milonga 2/28 Friday, 326 SW Broadway, Jose will be guest teaching and then revving up our party with his outgoing, party spirit! The lesson at 5:30 PM will be: Making cool moves fit on the dance floor. There is no need to not dance well just because a space is small! The cost for the lesson + milonga + 1st drink + snacks is $20—you can’t beat that!

Prices

Workshops: $30/1, $55/2, $80/3, $100/4, $115/5, $120/6 (The Las Naifas class is separate from the pricing; please pay at the door)


Privates: $120/hr or $550/5 (to schedule, 541-914-4812/ewartluf@gmail.com) **There are discounts on the private lesson price if you take the workshops!


Register for group classes: At the door or here.





Less than a month to Jose Garofalo!

Hold onto your hats! Jose is coming, and if you have seen him dance before, you know that there is going to be some shenanigans! Jose learned from all the old masters, but was also one of the group who created “Nuevo Tango” in the 1990s. One of the class participants asked him about a move at the last workshops, and he said, “I was the one to name that,” when we talked about deep sacadas! He’s been in tango for over 30 years. He likes to look at different styles and ideas, and experiment with how everything comes together.

Come learn about different styles of milonga, tango and vals, and how they can be used by YOU to make your dance more fun! I am especially happy that I talked him into doing milonga candombe—he is great at this!

Registration is open, the schedule is posted, and we are getting ready for you! Here’s a taste of Jose.



Book review: Intoxicating Tango

Argentina in fact was a kind of jungle, with everyone scratching and fighting for funds and a place in the pecking order, and a way to survive.
— Cherie Magnus in Intoxicating Tango

Back in 1999-2001, while on my thesis on tango in Buenos Aires, I considered moving there to live. In the end, I realized that I would not make enough money to visit my family in the United States. If I lived in the USA, I had a chance of making enough money to visit Buenos Aires. And so I chose not to move there.

When Cherie Magnus contacted me and asked if I would review her book, Intoxicating Tango: My Years in Buenos Aires, I was intrigued. It is a memoir of the ten years she lived in Buenos Aires and danced tango. This was the life I had considered for myself, and I wanted to hear from someone who had made the opposite decision.

Tango, full speed ahead!

The book is well-written and I read it over the course of two evenings. Reading it, you get a feel for how difficult it can be to move to a strange city as an adult. You need to find housing. You need to figure out how the bureaucracy works. You need to find friends when the other adults have been friends for years or decades. You need to find activities to keep yourself busy. You need to learn the language. Whew!

In Cherie’s case, tango was the focus of her new life. She built everything else around that, even finding ways to generate income by working in tango tourism. She danced socially, taught tango, and made friends in the tango world and acquired an Argentine boyfriend. This was not a short-term plan: she intended to live in Buenos Aires until she died.

Cherie had an emotionally rough time in Buenos Aires. Her health issues—and those of her partner—added stress, as did her struggle to keep afloat financially. Throughout the book, crises cropped up in terms of health, money, relationships and tango. She gamely tried to problem-solve, but by the end, little difficulties bunched up and made major difficulties, and she chose to leave Buenos Aires and to move home to Los Angeles.

Is your name Google? Because you are the answer to all of my questions.
— A piropo quoted in Intoxicating Tango

Macho culture?

Cherie discusses the macho nature of the tango and relationships that she experienced in Argentina. This is a point that she returns to time after time in the book, hammering the point home. We have had an email exchange during my reading/reviewing of her book, and she reminded me that this question of macho culture was not just in the tango world, but in Argentine culture in general. Throughout the book, she includes quotes from other sources about machismo and male-female interactions in Argentina. She also quotes piropos (“compliments”) from men. She feels that the macho culture condoned violence against women, as well as giving men permission to cheat on women.

I do remember the feeling of the milonga scene in the late 1990s and early 2000s. I did my research on leading, following, and how masculinity and femininity were constructed in the Buenos Aires tango scene at that time. I did think that there was a macho element to the codes of behavior in the milongas, but I have come to see it differently; perhaps that is more about changing times. I personally don’t think it is more macho than other cultures. I think ALL the places I have lived, on four continents, have all had mostly the same ideas about men and women. The difference is that it is open, not hidden, in the tango world.

Human Subjects clearance vs. memoir writing

As an anthropologist who had to go through a rigorous Human Subjects clearance before conducting my fieldwork in Buenos Aires, I am astonished at the freedom a memoir writer can take. Even 20 years later, I have not published a lot of the material I collected because of my human subjects guidelines.

I felt a bit shocked at how much Cherie told about other people’s lives in her book. I emailed her to ask, and she said that her ex-partner—who is very much a big part of the book—doesn’t care what is written about him. She changed his name, but she said everyone would know who it was. She did change some names in the book. I felt relieved that she had warned people about the publication and discussed the book with her ex-partner. I wonder if the people in this book will feel that Cherie over-shared their information?

Overall

I have had a very different experience in Buenos Aires than Cherie did, but I think it’s good to see the range of experiences possible. There is not one truth. There are many points of view. You can tell she put a lot of work into crafting this book and she does not shy away from presenting her truth.

This is not a light read. Reading this book, I felt sad for Cherie that her dream had not worked out. I felt sad for her partner that his long-term partner had left for good. I felt sad that she walked away with a bad taste in her mouth and the book did not seem to suggest that any happier ending would be available for any woman. I hope that, as time passes, she will be able to see her years in Buenos Aires in a more positive light. After all, it gave her a lot of material for her book! In our email exchanges, she seems very upbeat and positive, so I don’t think that she is down for the count :-)

If you would like to buy her book, here is her website!